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Artist Khaled Jarrar shadows West Bank residents as they search for ways to bypass the highly militarized Israeli apartheid wall that separates them from Jerusalem. Over, under, or through, with great difficulty and risk, the infiltrators are by turn people who wish to visit relatives in hospitals, religious women trying to reach Al Aqsa, teenage boys tasked with “smuggling” bread, or, most often, construction workers: Palestinian men whose labor will be used to build up the city they are not permitted to enter. Alternating between cigarette breaks, detours, waiting, climbing, escaping, and confrontation, INFILTRATORS depicts the constant struggle both to survive and to resist captivity and occupation.